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The Seven Good Years
Cover of The Seven Good Years
The Seven Good Years
Borrow Borrow

LONGLISTED FOR THE 2015 GOODREADS CHOICE AWARDS 'BEST HUMOUR'

A brilliant, hilarious memoir from a master storyteller

Over the last seven years, Etgar Keret has had plenty of reasons to worry. His son, Lev, was born during a terrorist attack in Tel Aviv. His father became sick. And he has been constantly tormented by nightmarish visions of former Iranian president Mahmoud Ahmadinejad, anti-Semitic remarks both real and imagined, and, perhaps most worrisome of all, a dogged telemarketer who seems likely to chase him to the grave. Emerging from these darkly absurd circumstances is a series of funny, touching ruminations on everything from his three-year-old son's impending military service to the terrorist mindset behind Angry Birds.
The Seven Good Years is a tender and entertaining tale of a father bringing up his son in a country beset by wars and alarms. Told in Keret's inimitable style, this wise, witty memoir is full of wonder and love, poignant insights, and irrepressible humour. Moving deftly between the personal and the political, the playful and the profound, it reveals the human need to find good in the least likely places, and the stories we tell ourselves to make sense of our capricious world.

PRAISE FOR ETGAR KERET

'Keret possesses an imagination not easily slotted into conventional literary categories. His ... short stories might be described as Kafkaesque parables, magic-realist knock-knock jokes or sad kernels of cracked cosmic wisdom.' The New York Times

'[Keret's writing] testifies to the power of the surreal, the concise and the fantastic ... oblique, breezy, seriocomic fantasies that defy encapsulation, categorization and even summary.' The Washington Post

LONGLISTED FOR THE 2015 GOODREADS CHOICE AWARDS 'BEST HUMOUR'

A brilliant, hilarious memoir from a master storyteller

Over the last seven years, Etgar Keret has had plenty of reasons to worry. His son, Lev, was born during a terrorist attack in Tel Aviv. His father became sick. And he has been constantly tormented by nightmarish visions of former Iranian president Mahmoud Ahmadinejad, anti-Semitic remarks both real and imagined, and, perhaps most worrisome of all, a dogged telemarketer who seems likely to chase him to the grave. Emerging from these darkly absurd circumstances is a series of funny, touching ruminations on everything from his three-year-old son's impending military service to the terrorist mindset behind Angry Birds.
The Seven Good Years is a tender and entertaining tale of a father bringing up his son in a country beset by wars and alarms. Told in Keret's inimitable style, this wise, witty memoir is full of wonder and love, poignant insights, and irrepressible humour. Moving deftly between the personal and the political, the playful and the profound, it reveals the human need to find good in the least likely places, and the stories we tell ourselves to make sense of our capricious world.

PRAISE FOR ETGAR KERET

'Keret possesses an imagination not easily slotted into conventional literary categories. His ... short stories might be described as Kafkaesque parables, magic-realist knock-knock jokes or sad kernels of cracked cosmic wisdom.' The New York Times

'[Keret's writing] testifies to the power of the surreal, the concise and the fantastic ... oblique, breezy, seriocomic fantasies that defy encapsulation, categorization and even summary.' The Washington Post

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About the Author-
  • Etgar Keret was born in Ramat Gan and now lives in Tel Aviv. A winner of the French Chevalier des Arts et des Lettres, The Camera D’Or, and the Charles Bronfman Prize, he is the author, most recently, of the memoir The Seven Good Years, and story collections like The Bus Driver Who Wanted To Be God. His work has been translated into forty-two languages and has appeared in The New Yorker, The Wall Street Journal, Wired, The Paris Review, and The New York Times, among many other publications, and on This American Life, where he is a regular contributor.

Reviews-
  • Publisher's Weekly

    Starred review from April 20, 2015
    In this slim, episodic set of recollections, acclaimed Israeli fiction writer Keret (The Bus Driver Who Wanted to Be God) covers the span between the birth of his son and the death of his father. In spare, wry prose, he recounts his child’s birth, the same day as a terrorist attack, and sums up the violent underpinnings of current Israeli life when he tells a disappointed journalist that “the attacks are always the same. What can you say about an explosion and senseless death?” This apolitical, irreligious, and wry fatalism recalls a great deal of Jewish humor, a meditation on the absurd and vital. The initial courtship of Keret’s parents, both Holocaust survivors, is lovingly described with a thirst for life that reflects the vitality of Israel’s earliest decades. Keret thinks and feels deeply, but he makes heavy points with a light touch, describing a childhood friend as having “the smiling but tough expression of an aging child who had already learned a thing or two about this stupid world.” While the short chapters move in linear fashion, each stands firmly on its own.. Without overplaying any single aspect of a complicated life in complicated times in a complicated place, Keret’s lovely memoir retains its essential human warmth, demonstrating that with memoirs, less can often be more.

  • Publisher's Weekly

    Starred review from August 31, 2015
    Karpovsky, a prolific young actor and filmmaker best known for his roles in HBO’s Girls, brings tremendous attention to detail and emotional depth to the new nonfiction title from Israeli fiction writer Keret. Keret chronicles the eventful time period between the birth of his son and the death of his father through a series of short vignettes from daily life, which gradually interconnect against a backdrop of political unrest in the Middle East. Karpovsky, the American son of Jewish Russian immigrants, beautifully masters the range of accents in the narrative. He also captures the developing speech patterns of Keret’s little boy, Lev, from vulnerable toddlerhood to the assertiveness and independence of a seven-year-old. Karpovsky scores in his rendering of the author’s aging parents through such memorable interactions as playing Angry Birds with their grandson. The sheer humanity in both the serious and lighthearted moments makes for a captivating listening experience. A Riverhead hardcover.

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    Scribe Publications Pty Ltd
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