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An intoxicating combination of mystery, spirituality, redemption, piety, and passion, The World To Come is Dara Horn's follow-up to her breakout, critically acclaimed debut novel In the Image. Using a real-life art heist as her starting point, Horn traces the life and times of several characters, including Russian-born artist Marc Chagall and the New Jersey—based Ziskind family.
Benjamin Ziskind, a former child prodigy, now spends his days writing questions for a television trivia show. After Ben's twin sister, Sara, forces him to attend a singles cocktail party at a Jewish museum, Ben spots Over Vitebsk, a Chagall sketch that once hung in the twins' childhood home. Convinced the painting was stolen from his family, Ben steals the work of art and enlists Sara to create a forgery to replace it. While trying to evade the police, Ben attempts to find the truth of how the painting got to the museum.
From a Jewish orphanage in 1920s Soviet Russia where Marc Chagall brought art to orphaned Jewish boys, to a junior high school in Newark, New Jersey, with a stop in the jungles of Da Nang, Vietnam, Horn weaves a story of mystery, romance, folklore, history and theology into a spellbinding modern tale. Richly satisfying and utterly unique, her novel opens the door to "the world to come"—not life after death, but the world we create through our actions right now.
An intoxicating combination of mystery, spirituality, redemption, piety, and passion, The World To Come is Dara Horn's follow-up to her breakout, critically acclaimed debut novel In the Image. Using a real-life art heist as her starting point, Horn traces the life and times of several characters, including Russian-born artist Marc Chagall and the New Jersey—based Ziskind family.
Benjamin Ziskind, a former child prodigy, now spends his days writing questions for a television trivia show. After Ben's twin sister, Sara, forces him to attend a singles cocktail party at a Jewish museum, Ben spots Over Vitebsk, a Chagall sketch that once hung in the twins' childhood home. Convinced the painting was stolen from his family, Ben steals the work of art and enlists Sara to create a forgery to replace it. While trying to evade the police, Ben attempts to find the truth of how the painting got to the museum.
From a Jewish orphanage in 1920s Soviet Russia where Marc Chagall brought art to orphaned Jewish boys, to a junior high school in Newark, New Jersey, with a stop in the jungles of Da Nang, Vietnam, Horn weaves a story of mystery, romance, folklore, history and theology into a spellbinding modern tale. Richly satisfying and utterly unique, her novel opens the door to "the world to come"—not life after death, but the world we create through our actions right now.
Due to publisher restrictions the library cannot purchase additional copies of this title, and we apologize if there is a long waiting list. Be sure to check for other copies, because there may be other editions available.
Due to publisher restrictions the library cannot purchase additional copies of this title, and we apologize if there is a long waiting list. Be sure to check for other copies, because there may be other editions available.
Reviews-
When Benjamin Ziskind sees a painting that once hung in his parents' house hanging in a museum, he steals it, an act that opens a window on events that wind back to Marc Chagall's art classes in 1920s' Russia. The novel spans generations at the same time that it reveals how Ben, his sister, and a museum employee deal with the theft. Although his voices are repetitive for minor characters, William Dufris portrays the central characters with voices that provide insight into their thoughts and feelings. His narration makes it easy to follow Dara Horn's complicated but fascinating linkages as she demonstrates how Ben's actions are shaped by generations before him. J.A.S. (c) AudioFile 2006, Portland, Maine
Starred review from October 24, 2005 Former child prodigy Ben Ziskind—5'6", 123 pounds and legally blind—steals a Marc Chagall painting at the end of an alienating singles cocktail hour at a local museum, determined to prove that its provenance is tainted and that it belongs to his family. With surety and accomplishment, Horn (In the Image ) telescopes out into Ziskind's familial history through an exploration of Chagall's life; that of Chagall's friend the Yiddish novelist Der Nister; 1920s Soviet Russia and its horrific toll on Russian Jews; the nullifying brutality of Vietnam (where Ben's father, Daniel, served a short, terrifying stint); and the paradoxes of American suburbia, a place where native Ben feels less at home than the teenage Soviet refugee Leonid Shcharansky. Ben's relationship with his pregnant twin sister, Sara, a painter who eventually tries to render a forgery of the painting to return to the museum, is a damply compelling exposition of what it means to have someone biologically close but emotionally distant. Horn, born in 1977, expertly handles subplots and digressions, neatly bringing in everything from Yiddish lore to Nebuchadnezzar, Da Nang, the Venice Biennale, recent theories of child development, brutal Soviet politics and Daniel's job as a writer for fictional TV show American Genius . Characters like Erica Frank, of the Museum of Hebraic Art, give tart glimpses into still-claustrophobic Goodbye, Columbus territory, which Horn then unites with a much grander place that furnishes the book's title.
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Bahrain, Egypt, Hong Kong, Iraq, Israel, Jordan, Kuwait, Lebanon, Libya, Mauritania, Morocco, Oman, Palestine, Qatar, Saudi Arabia, the Sudan, the Syrian Arab Republic, Tunisia, Turkey, the United Arab Emirates, and Yemen
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When Benjamin Ziskind sees a painting that once hung in his parents' house hanging in a museum, he steals it, an act that opens a window on events that wind back to Marc Chagall's art classes in 1920s' Russia. The novel spans generations at the same time that it reveals how Ben, his sister, and a museum employee deal with the theft. Although his voices are repetitive for minor characters, William Dufris portrays the central characters with voices that provide insight into their thoughts and feelings. His narration makes it easy to follow Dara Horn's complicated but fascinating linkages as she demonstrates how Ben's actions are shaped by generations before him. J.A.S. (c) AudioFile 2006, Portland, Maine
