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Pulitzer Prize-winning author Michael Chabon delivers another literary masterpiece: a novel of truth and lies, family legends and existential adventure - and the forces that work to destroy us. In 1989, fresh from the publication of his first novel, The Mysteries of Pittsburgh, Michael Chabon traveled to his mother's home in Oakland, California, to visit his terminally ill grandfather. Tongue loosened by powerful painkillers, memory stirred by the imminence of death, Chabon's grandfather shared recollections and told stories the younger man had never heard before, uncovering bits and pieces of a history long buried and forgotten.
Moonglow unfolds as the deathbed confession, made to his grandson, of a man the narrator refers to only as "my grandfather." It is a tale of madness, of war and adventure, of sex and desire and ordinary love, of existential doubt and model rocketry, of the shining aspirations and demonic underpinnings of American technological accomplishment at mid-century and, above all, of the destructive impact - and the creative power - of the keeping of secrets and the telling of lies. A gripping, poignant, tragicomic, scrupulously researched and wholly imaginary transcript of a life that spanned the dark heart of the twentieth century, Moonglow ranges from the Jewish slums of prewar South Philadelphia to the invasion of Germany, from a Florida retirement village to New York's Wallkill Prison, from the heyday of the space program to the twilight of 'the American Century'. Collapsing an era into a single life and a lifetime into a single week, Moonglow is a lie that tells the truth, a work of fictional non-fiction, an autobiography wrapped in a novel disguised as a memoir.
Moonglow is Chabon at his most daring, his most moving, his most Chabonesque.
Pulitzer Prize-winning author Michael Chabon delivers another literary masterpiece: a novel of truth and lies, family legends and existential adventure - and the forces that work to destroy us. In 1989, fresh from the publication of his first novel, The Mysteries of Pittsburgh, Michael Chabon traveled to his mother's home in Oakland, California, to visit his terminally ill grandfather. Tongue loosened by powerful painkillers, memory stirred by the imminence of death, Chabon's grandfather shared recollections and told stories the younger man had never heard before, uncovering bits and pieces of a history long buried and forgotten.
Moonglow unfolds as the deathbed confession, made to his grandson, of a man the narrator refers to only as "my grandfather." It is a tale of madness, of war and adventure, of sex and desire and ordinary love, of existential doubt and model rocketry, of the shining aspirations and demonic underpinnings of American technological accomplishment at mid-century and, above all, of the destructive impact - and the creative power - of the keeping of secrets and the telling of lies. A gripping, poignant, tragicomic, scrupulously researched and wholly imaginary transcript of a life that spanned the dark heart of the twentieth century, Moonglow ranges from the Jewish slums of prewar South Philadelphia to the invasion of Germany, from a Florida retirement village to New York's Wallkill Prison, from the heyday of the space program to the twilight of 'the American Century'. Collapsing an era into a single life and a lifetime into a single week, Moonglow is a lie that tells the truth, a work of fictional non-fiction, an autobiography wrapped in a novel disguised as a memoir.
Moonglow is Chabon at his most daring, his most moving, his most Chabonesque.
Due to publisher restrictions the library cannot purchase additional copies of this title, and we apologize if there is a long waiting list. Be sure to check for other copies, because there may be other editions available.
Due to publisher restrictions the library cannot purchase additional copies of this title, and we apologize if there is a long waiting list. Be sure to check for other copies, because there may be other editions available.
August 1, 2016 Chabon’s (Telegraph Avenue) charming and elegantly structured novel is presented as a memoir by a narrator named Mike who shares several autobiographical details with Chabon (for one, they’re both novelists who live in the Bay Area). Mike’s memoir is concerned less with his own life than with the lives of his deceased maternal Jewish grandparents, who remain unnamed. His grandfather—whose deathbed reminisces serve as the novel’s main narrative engine—is a WWII veteran with an anger streak (the stint he does in prison after a workplace assault is one of the novel’s finest sections) and a fascination with V-2 rockets, astronomy, space travel, and all things celestial or skyward. Mike’s grandmother, born in France, is alluring but unstable, “a source of fire, madness, and poetry” whose personal history overlaps in unclear ways with the Holocaust, and whose fits of depression and hallucination result in her institutionalization (also one of the novel’s finest sections). Chabon imbricates his characters’ particular histories with broader, detail-rich narratives of war, migration, and technological advances involving such figures as Alger Hiss and Wernher von Braun. This move can sometimes feel forced. What seduces the reader is Chabon’s language, which reinvents the world, joyously, on almost every page. Listening to his grandfather’s often-harrowing stories, Mike thinks to himself, “What I knew about shame... would fit into half a pistachio shell.”
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