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A BBC Radio 4 full-cast dramatisation of George Eliot's powerful novel starring Anna Chancellor as Gwendolen. From the moment he sees her at the roulette table, the young idealistic Daniel Deronda is drawn to Gwendolen Harleth, as she is to him. But Gwendolen - outwardly alluring and vivacious - is forced by circumstances into an oppressive marriage to the harsh aristocrat Henleigh Grandcourt. Daniel becomes torn between her and Mirah Lapidoth, a young Jewish woman he saves from suicide, and uncertain of his own parentage, becomes increasingly driven to find out who and what he is. When at last he discovers the truth of his own origins his future becomes clear. George Eliot's last novel, with its powerful themes of morality, provoked serious controversy on its publication. The darkness and complexity of Eliot's work are compellingly bound together in this enthralling dramatisation of one of literature's most emotionally intense masterpieces.
A BBC Radio 4 full-cast dramatisation of George Eliot's powerful novel starring Anna Chancellor as Gwendolen. From the moment he sees her at the roulette table, the young idealistic Daniel Deronda is drawn to Gwendolen Harleth, as she is to him. But Gwendolen - outwardly alluring and vivacious - is forced by circumstances into an oppressive marriage to the harsh aristocrat Henleigh Grandcourt. Daniel becomes torn between her and Mirah Lapidoth, a young Jewish woman he saves from suicide, and uncertain of his own parentage, becomes increasingly driven to find out who and what he is. When at last he discovers the truth of his own origins his future becomes clear. George Eliot's last novel, with its powerful themes of morality, provoked serious controversy on its publication. The darkness and complexity of Eliot's work are compellingly bound together in this enthralling dramatisation of one of literature's most emotionally intense masterpieces.
Due to publisher restrictions the library cannot purchase additional copies of this title, and we apologize if there is a long waiting list. Be sure to check for other copies, because there may be other editions available.
Due to publisher restrictions the library cannot purchase additional copies of this title, and we apologize if there is a long waiting list. Be sure to check for other copies, because there may be other editions available.
Reviews-
Don't worry, no one else (outside the English department) has heard of it either. This is a very large human comedy/social commentary reminiscent of Jane Austen, but with more caustic wit. The audiobook format can perform a valuable function by returning obscure but noteworthy works of the past to our attention. But doing so, particularly with a period piece, requires a kind of advocacy on the part of the performer beyond mere transcription. We need to be shown how the writing works. This Nadia May does admirably, making aristocratic nineteenth-century English sound natural and familiar, while projecting a keen awareness of Eliot's humor and irony. DANIEL DERONDA may not catch on or become a BBC mini-series, but anyone who is interested can now hear what it was intended to sound like. J.N. (c)AudioFile, Portland, Maine
In her lifetime, Marian Evans (1819-80) was celebrated under her pen name of George Eliot as England's greatest living novelist. Today, she is known primarily as the bane of school kids who, having SILAS MARNER thrust down their throats, learn to despise the written word. Dove seeks to make palatable this dreaded tome, about an idealistic orphan who discovers his Jewish heritage in the course of rescuing a Jewish singer and giving succor to the beautiful Gwendolen, who is trapped in a bad marriage. Like Beacham, Bron negotiates the author's difficult locutions with comprehension and aplomb. Unfortunately her Masterpiece Theaterish delivery loses some of Eliot's personality. However, she so masterfully and assuredly puts across the text and so insightfully presents the characters that we can forgive her the lapse into the prevailing fashion. If you're a former school kid wondering just what the heck makes this novel living literature, you may find out by picking up this audiobook. Y.R. (c)AudioFile, Portland, Maine
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Bahrain, Egypt, Hong Kong, Iraq, Israel, Jordan, Kuwait, Lebanon, Libya, Mauritania, Morocco, Oman, Palestine, Qatar, Saudi Arabia, the Sudan, the Syrian Arab Republic, Tunisia, Turkey, the United Arab Emirates, and Yemen
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Don't worry, no one else (outside the English department) has heard of it either. This is a very large human comedy/social commentary reminiscent of Jane Austen, but with more caustic wit. The audiobook format can perform a valuable function by returning obscure but noteworthy works of the past to our attention. But doing so, particularly with a period piece, requires a kind of advocacy on the part of the performer beyond mere transcription. We need to be shown how the writing works. This Nadia May does admirably, making aristocratic nineteenth-century English sound natural and familiar, while projecting a keen awareness of Eliot's humor and irony. DANIEL DERONDA may not catch on or become a BBC mini-series, but anyone who is interested can now hear what it was intended to sound like. J.N. (c)AudioFile, Portland, Maine
